高中在校生南山与母亲久别重逢。母亲为维权之事忙得焦头烂额，对南山态度十分冷漠，南山几经周折都无法帮助到母亲更得不到母亲的关爱。一次事故，南山的失误导致妹妹溺水身亡。在破坏了母亲最重要的维权活动后，他用妹妹溺水的真实死因勒索了游泳馆老板，但最终还是没能留住母亲。

一个20多岁的女人几年来第一次回老家度假 她不仅遇到故人 而且还被迫处理未解决的感情

一个20多岁的女人几年来第一次回老家度假 她不仅遇到故人 而且还被迫处理未解决的感情

在经历了一场创伤性的失去之后，爱丽丝（Alice）离开城市，开始写作。某天，被一只蜜蜂持续的嗡鸣声吸引，她循声走入一片森林。被树木的呼吸与万物的脉动所环绕，内心的不安逐渐平息。在枝叶与寂静之间，她发现了一棵仿佛一直在等待她的树。 　　此后，她日复一日地回到那里，记录自己所见与所感——如泪般滴落的树脂，树皮与肌肤的相似，树与人的对应。在与树木渐进而近乎痴迷的对话中，爱丽丝发现了人类与自然之间那份静谧的对称——或许，也找到了一种让悲伤得以释放的方式。 　　After a traumatic loss, Alice retreats from the city and begins to write. One day, distracted by the persistent hum of a bee, she follows its sound into a nearby forest. Surrounded by the breath of the trees and the pulse of life around her, Alice’s restlessness begins to soften. There, among branches and silence, she discovers a tree that seems to have been waiting for her. 　　Drawn back day after day, she writes about what she sees and feels — the resin that drips like tears, the parallels between bark and skin, trees and humans. Through a gradual but obsessive dialogue with the trees, Alice discovers the quiet symmetry between humanity and nature — and, perhaps, a way of setting grief free.

老吴和孙子小树在山村里经营着一家“特殊”的盲人影院，喜爱舞蹈的小树却一心想到城里去，直到意外地弄坏了放映机…面对老吴的离世与即将到来的拆迁…春天，小树正经历着他‘生长期’的最大变革…

Held up for 7 years before it was released, Far from the Trees seems like a perfect successor to Luis Bunuel's Land Without Bread. Like that earlier film, it is a kind of impressionistic travelogue that shows a Spain far from the beaten paths of the tourist resorts; not only poverty but the persistence of superstitions and occult beliefs captured by the film rebuke the image of a forward-looking, modern Spain that by the 60s was being promoted by the Franco regime. Esteva Grewe largely allows the images and juxtapositions to speak for themselves, giving the film a lyrical feeling that somewhat softens its social criticism - though obviously not enough for the censors. 　　It is commonplace for students of Spanish and Latin American culture to speak of the "Black Legend", through which northern Europeans demonize the Spanish. In this documentary, Catalan filmmaker Jacinto Esteva Grewe does the job himself. Here, he attempts to show the dark side of Spanish life, especially its religious fanaticism and promotion of the idea that ritualistic cruelty is somehow noble. This film had major portions removed by Spanish censors before it was allowed to be shown, but the cuts are not thought to have improved (or detracted from) this mean-spirited diatribe.

深山里某个小镇上，人们过着安静平淡知足的日子。对于自己的家乡，高中女生Machi（夏莲）虽然再熟悉不过，却总觉得仍有许多未知之谜等着她去发掘。某天，Machi和两个女友憧憬未来，玩起故事接龙游戏，在她们天马行空地幻想未来时，镇里的大人们开始回想有关过去被埋葬的树木的故事。 　　暴风雨将小镇“袭击”，大人们记忆中被埋葬的巨大树木暴露出来，“梦幻森林”的入口被打开，Machi和女友编写的未来同过去有了联系，一切变得似真又似幻，如梦又如烟。

顾城（冯德伦饰）在年幼时亲眼目睹了文化大革命，父亲受迫害，幼小的心灵不再沉默。顾城有着超乎寻常的想象力，写出了令人精神震摄的诗篇：“黑夜给了我黑色的眼睛，我却用它来寻找光明”，成为著名的朦胧诗人。他在火车站邂逅了雷迷（李绮红饰），两人很快坠入爱河，不久就结婚了。而顾城的崇拜者青儿出现在两人的生活中。夫妇俩到德国讲学，青儿向顾城表达了爱意。雷迷邀请了青儿和他们住在一起，青儿和顾城的关系越亲密。顾城对她们俩人都平等地去爱，无分彼此。原本三人相安无事，但生活却带来越来越多的压力，而顾城因对爱情的过分执着，他沉溺在自己的虚幻王国中，无法适应外界的生活方式，不去倾听伴侣的心声。最终，只落得被妻子、情人、孩子抛弃的可悲结局。1993年10月8日，旅居新西兰的中国诗人顾城，杀死了妻子谢烨之后自杀身亡。此事件在国际文坛引起轰动。

顾城别恋的故事时间涵由六十年代至到今天，空间涵盖中国，新西兰以至德国，她要说人要有表达自由，新年化在不同文化环境中遗忘了本身的语言，然而故事是…

八岁的方克柔意外听说自己并非是父母的亲生孩子，然而八岁的她选择向爸妈隐藏自己的疑虑，一边偷偷探索一边试图证明自己的身份。然而一切都不顺利，都指向了她真的并非亲生。最后她选择用极端的方式去证明自己，然而，所有人都知道，她骗了她自己，但是或不是真的那么重要吗？